Chinese male clothing traditional
Chima is a generic term for the skirt worn together with jeogori, or a short jacket in hanbok, Korean traditional clothing. It is also referred to as sang (裳) or gun (裙) in hanja in the Korean language. Basic forms of ancient chima date back to the Goguryeo era (37 BC-668 AD). Later on in the Goguryeo Kingdom, the jeogori became shorter and shorter, showing off more of the chima. One popular fashion was the A-line chima. Tang dynasty’s clothing was also introduced in Korea. Tang dynasty’s high-waist qun with a short ru (Chinese: 襦) or from a later revival of the Tang dynasty fashion. While the jeogori has evolved over time, the chima has remained relatively unchanged throughout time. In Joseon, the clothing which was worn during the Silla period was progressively altered until it became what is now recognized as the traditional hanbok. The chima is a floor length wrap around skirt with a wide waistband positioned above the chest. With the high placement of the waistband it allows the skirt to have a more billowy look, which can give greater freedom of movement. The Chinese court clothing which were worn in China’s Tang dynasty appears to have largely influenced the design of the women’s hanbok. There are different kinds of chima: single-layered, double-layered, and quilted. Traditionally, women needed to wear about five to seven layers of undergarments which consisted of pants and underskirts, this made the skirt look more voluminous and provide a more elegant look. Furthermore, pul-chima refers to a chima with a separated back, whereas a tong-chima has a seamed back. By contrast, commoners were restricted to using cotton for their chima. The upper class usually use ramie as the fabric to make for summer chima while plain and patterned silks are used throughout the remainder of the year. Korean noblewomen wore full length chima to designate their social status. Women in the upper class wore a long chima which falls down to the floor while women in the lower class wore a shorter chima which length reaches to the calf of the leg. Different colours and lengths indicated important social distinctions such as: age, marital status, and class. Korean commoners rarely wore primary coloured hanbok, and they were only allowed to wear it for special occasions, such as seasonal festivals, weddings, and for ceremonial events. Blue chima decorated with geumbak worn with a dangui, a style of royal costume. Nowadays, the hanbok worn by Korean is colourful due to the Western influences which Korean to become a free society where Koreans could choose what and what colours they want to wear. Wearing colourful hanbok is, however, a clear contrast from the traditional use of white hanbok. For thousands of years and nearly exclusively, most Koreans only wore white clothes. In Korean culture, white has traditionally been a symbol of nobility and innocence; and a result, Koreans would wear white during their lives from birth to death. Moreover, the Korean commoners’ clothing were mainly un-dyed and plain. They donned colored clothing on special occasions. In Goryeo and Joseon, the use of white clothing was banned by King Chung Yeol in the 13th century and by many Joseon kings which even included King Sejong, but this did not stop the tradition of wearing white clothing to continue until the early 20th century. Girls and unmarried women usually wore red skirts, while married women and middle-aged women wore blue skirts and elderly women wore gray skirts. In Modern times, the use of white hanbok is often associated with resistance and is mostly worn for funerals. In addition, Goguryeo women also wore saekdong chima that is a colourfully striped skirt by patchworking, and a chima in form of gored skirt, made by sewing several pieces of fabric without gathering. Wikimedia Commons has media related to Chima. 치마 (in Korean). Nate / Britannica. 치마 (in Korean). Nate / EncyKorea. 치마 (in Korean). Doosan Encyclopedia. Ladner, Mimsie (25 January 2017). “Hanbok: An Introduction to South Korea’s National Dress”. Guide to Korean culture. Kim, munja. “ko: 고분 벽화에 표현된 고구려 복식(Koguryo’s costume on the tomb mural)”. Haeoe Hongbowŏn. Seoul, Republic of Korea. Welters, Linda (2018). Fashion history : a global view. Abby Lillethun. London. UK. 우리 역사넷 (Our history net). Encyclopedia of national dress : traditional clothing around the world. Jill Condra. Santa Barbara, Calif. Ju-Ri, Yu; Jeong-Mee, chinese traditional clothes for male Kim (2006). “A Study on Costume Culture Interchange Resulting from Political Factors”. Korean Costumes through the Ages: Commemorating the Centennial of Korean Immigration to the United States. Journal of the Korean Society of Clothing and Textiles. Journal of the Korean Society of Costume. Tibberts, Jennifer (2021-01-01). “Investigating How Qipao and Hanfu Dresses are Representative of China”. The National Folk Museum of Korea (South Korea). Hua, Mei; 华梅 (2004). Zhongguo fu shi (Di 1 ban ed.). Beijing: Wu zhou chuan bo chu ban she. Senior Honors Theses – via Liberty University. Valerie Steele. Farmington Hills, MI: Charles Scribner’s Sons. Encyclopedia of clothing and fashion. Westport, Conn.: Greenwood Press. Clark, Donald N. (2000). Culture and customs of Korea. Kalbi (2015-02-16). “Hanbok (Korean Traditional Clothing) – A familiar Korean culture symbol”. Lee, Samuel Songhoon (2013). Hanbok : Timeless fashion tradition. Han’guk Kukche Kyoryu Chaedan. Journal of the Korean Society of Clothing and Textiles. Seo, Bong-Ha (2015). “White Hanbok as an Expression of Resistance in Modern Korea”. Encyclopedia of Korean Culture (in Korean). 치마 (in Korean). Doosan Encyclopedia. Encyclopedia of Korean Culture (in Korean). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. This page was last edited on 29 December 2024, at 02:20 (UTC). By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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